Author Hauptmann Gerhart

listic movement in modern German literature. It was followed by Das Friedensfest (1890), Einsame Menschen (1891) and Die Weber (The Weavers 1892), a powerful drama depicting the rising of the Silesian weavers in 1844. Of Hauptmann's subsequent work, mention may be made of the comedies Kollege Crampton (1892), Der Biberpelz (1893) and Der rote Hahn (1901), the symbolist dream play The Assumption of Hannele (1893), and an historical drama Florian Geyer (1895). He also wrote two tragedies of Silesian peasant life, Fuhrmann Henschel (1898) and Rose Bernd (1903), and the dramatic fairy-tales Die versunkene Glocke (1897) and Und Pippa tanzt (1905). Hauptmann's marital life was difficult, and in 1904 he divorced his wife. That same year he married the actress Margarete Marschalk, who had borne him a son four years previously. The next year, his second marriage was interrupted by an affair with the 17-year-old Austrian actress Ida Orloff, whom he met in Berlin when she performed in his play The Assumption of Hannele. Orlov inspired characters in several of Hauptmann's works, and he later referred to her as his muse. In 1911 he wrote Die Ratten. In 1912, Hauptmann was awarded the Nobel Prize in Literature, "primarily in recognition of his fruitful, varied and outstanding production in the realm of dramatic art." During the First World War Hauptmann was a pacifist. In this period of his career he wrote several gloomy and historical-allegorical plays, like Der Bogen des Odysseus (1914), Der weisse Heiland (1912–17), Winterballade (1917). After the War, his ability was clearly on the wane. There are two full-length plays which are similar to the early successes, but with a little Realistic taste: Dorothea Angermann (1926) and Vor Sonnenuntergang (1932). He remained in Germany after Hitler's Machtergreifung and survived the fire storm of Dresden. His last bow is the Atriden-Tetralogie (1942–46). Several of his works have been translated into English. These include the plays which he wrote till Veland (1925), except Elga, an earlier fairy play and Festspiel in deutschem Reimen, a festival play. His works were published by S. Fischer Verlag. Hauptmann died at the age of 83 at his home in Agnetendorf (now Jagni?tków, Poland) in 1946. Because of German atrocities committed in Poland during World War II, the Polish communist administration did not allow Hauptmann's relatives to bury him in Agnetendorf although even the Soviet military government recommended it as they admired the work of Hauptmann, his body was transported in an old cattle wagon to occupied Germany more than a month after his death. He was buried near his cottage on Hiddensee. This article incorporates text from the Encyclopædia Britannica, Eleventh Edition, a publication now in the public domain. Sully Prudhomme (1901) · Theodor Mommsen (1902) · Bjørnstjerne Bjørnson (1903) · Frédéric Mistral / José Echegaray (1904) · Henryk Sienkiewicz (1905) · Giosuè Carducci (1906) · Rudyard Kipling (1907) · Rudolf Eucken (1908) · Selma Lagerlöf (1909) · Paul von Heyse (1910) · Maurice Maeterlinck (1911) · Gerhart Hauptmann (1912) · Rabindranath Tagore (1913) · Romain Rolland (1915) · Verner von Heidenstam (1916) · Karl Gjellerup / Henrik Pontoppidan (1917) · Carl Spitteler (1919) · Knut Hamsun (1920) · Anatole France (1921) · Jacinto Benavente (1922) · William Butler Yeats (1923) · W?adys?aw Reymont (1924) · George Bernard Shaw (1925)