Author Shelley Percy Bysshe

is success and influence in generations to come. Some of his works were published, but they were often suppressed upon publication. Up until his death, with approximately 50 readers as his audience, it is said that he made no more than 40 pounds from his writings. In 1813, at age 21 Shelley "printed" his first major poem, Queen Mab. He set the press and ran 150 copies of this radical and revolutionary tract. Queen Mab was infused with scientific language and naturalizing moral prescriptions for an oppressed humanity in an industrializing world. He intended the poem to be private and distributed it among his close friends and acquaintances. 70 sets of the signatures were bound and distributed personally by Shelley and 80 were stored at William Clark's bookshop in London. A year before his death, in 1821, one of the shopkeepers caught sight of the remaining signatures. The shopkeeper bound the remaining signatures, printed an expurgated edition, and distributed the pirated editions through the black market. The copies were–in the words of Richard Carlisle– "pounced upon," by the Society for the Prevention of Vice. Shelley was dismayed upon discovering the piracy of what he considered to be not just a juvenile production but a work that could potentially "injure rather than serve the cause of freedom." He sought an injunction against the shopkeeper, but since the poem was considered illegal, he was not entitled to the copyright. William Clark was imprisoned for 4 months for publishing and distributing Queen Mab. Between 1821 and the 1830s over a dozen pirated editions of Queen Mab were produced and distributed among and by the laboring classes fueling, and becoming a bible for, Chartism.[3] A son of Sir Timothy Shelley, a Whig Member of Parliament, and his wife, a Sussex landowner, Shelley was born at Field Place in Horsham, England. He received his early education at home, tutored by Reverend Evan Edwards of Warnham. His cousin and lifelong friend Thomas Medwin, who lived nearby recounted his early childhood in his "The Life of Percy Bysshe Shelley". It was a happy and contented childhood spent largely on country pursuits such as fishing and hunting.[4] In 1802, he entered the Syon House Academy of Brentford. In 1804, Shelley entered Eton College, where he fared poorly, subjected to an almost daily mob torment his classmates called "Shelley-baits". Surrounded, the young Shelley would have his books torn from his hands and his clothes pulled at and torn until he cried out madly in his high-pitched "cracked soprano" of a voice.[5] On 10 April 1810, he matriculated at University College, Oxford. Legend has it that Shelley attended only one lecture while at Oxford, but frequently read sixteen hours a day. His first publication was a Gothic novel, Zastrozzi (1810), in which he vented his atheistic worldview through the villain Zastrozzi. In the same year, Shelley, together with his sister Elizabeth, published Original Poetry by Victor and Cazire. While at Oxford, he issued a collection of verses (perhaps ostensibly burlesque but quite subversive), Posthumous Fragments of Margaret Nicholson, with Thomas Jefferson Hogg. In 1811, Shelley published his second Gothic novel St. Irvyne; or, The Rosicrucian and a pamphlet called The Necessity of Atheism. This gained the attention of the university administration and he was called to appear before the College's fellows, including the Dean, George Rowley. His refusal to repudiate the authorship of the pamphlet resulted in his being sent down from Oxford on 25 March 1811, along with Hogg. The rediscovery in mid-2006 of Shelley's long-lost 'Poetical Essay on the Existing State of Things', a long, strident anti-monarchical and anti-war poem printed in 1811 in London by Crosby and Company as "by a gentleman of the University of Oxford", gives a new dimension to the expulsion, reinforcing Hogg's implication of political motives ('an affair of party').[6] Shelley was given the choice to be reinstated after his father intervened, on the condition that he would have had to recant his avowed views. His refusal to do so led to a falling-out with his father. Four months after being expelled, the 19-year-old Shelley eloped to Scotland with the 16-year-old schoolgirl Harriet Westbrook to get married. After their marriage on 28 August 1811, Shelley invited his college friend Hogg to share their household. When Harriet objected, however, Shelley brought her to Keswick in England's Lake District, intending to write. Distracted by political events, he visited Ireland shortly afterward in order to engage in radical pamphleteering. Here he wrote his Address to the Irish People and was seen at several nationalist rallies. His activities earned him the unfavourable attention of the British government. Unhappy in his nearly three-year-old marriage, Shelley often left his wife and child (Ianthe Shelley, 1813–76) alone, first to study Italian with a certain Cornelia Turner, and eventually to visit William Godwin's home and bookshop in London. There he met and fell in love with Godwin's eldest daughter, named after her mother Mary Wollstonecraft, the author inter alia of A Vindication of the Rights of Woman. On 28 July 1814, Shelley abandoned his pregnant wife and child when he ran away with Mary, then also 16, inviting her stepsister Claire Clairmont along for company. The three sailed to Europe, crossed France, and settled in Switzerland, an account of which was subsequently published by the Shelleys. After six weeks, homesick and destitute, the three young people returned to England. In the autumn of 1815, while living close to London with Mary and avoiding creditors, he wrote Alastor, or The Spirit of Solitude. It attracted little attention at the time, but has now come to be recognized as his first major achievement. At this point in his writing career, Shelley was deeply influenced by the poetry of Wordsworth. In the summer of 1816, Shelley and Mary made a second trip to Switzerland. They were prompted to do so by Mary's stepsister Claire Clairmont, who had commenced a liaison with Lord Byron the previous April just before his self-exile on the continent. Byron had lost interest in her, and she used the opportunity of meeting the Shelleys as bait to lure him to Geneva. The Shelleys and Byron rented neighbouring houses on the shores of Lake Geneva. Regular conversation with Byron had an invigorating effect on Shelley's output of poetry. While on a boating tour the two took together, Shelley was inspired to write his Hymn to Intellectual Beauty, often considered his first significant production since Alastor . A tour of Chamonix in the French Alps inspired Mont Blanc, a poem in which Shelley claims to have pondered questions of historical inevitability and the relationship between the human mind and external nature. After the Shelleys returned to England, Fanny Imlay, Mary's half-sister and Claire's step-sister, travelled from Godwin's household in London to kill herself in Wales in early October. In December 1816, Shelley's estranged wife Harriet drowned herself in the Serpentine in Hyde Park, London. On 30 December 1816, a few weeks after Harriet's body was recovered, Shelley and Mary Godwin were married. The marriage was intended, in part, to help secure Shelley's custody of his children by Harriet, but the plan failed: the courts gave custody of the children to foster parents due to the fact that he was an atheist. The Shelleys took up residence in the village of Marlow, Buckinghamshire, where a friend of Percy's, Thomas Love Peacock, lived. Shelley took part in the literary circle that surrounded Leigh Hunt, and during this period he met John Keats. Shelley's major production during this time was Laon and Cythna; or, The Revolution of the Golden City, a long narrative poem in which he attacked religion and featured a pair of incestuous lovers. It was hastily withdrawn after only a few copies were published. It was later edited and reissued as The Revolt of Islam in 1818. Shelley wrote two revolutionary political tracts under the nom de plume, "The Hermit of Marlowe." Early in 1818, the Shelleys and Claire left England in order to take Claire's daughter, Allegra, to her father Byron, who had taken up residence in Venice. Contact with the older and more established poet encouraged Shelley to write once again. During the latter part of the year, he wrote Julian and Maddalo, a lightly disguised rendering of his boat trips and conversations with Byron in Venice, finishing with a visit to a madhouse. This poem marked the appearance of Shelley's "urbane style". He then began the long verse drama Prometheus Unbound, a re-writing of the lost play by the ancient Greek poet Aeschylus, which features talking mountains and a petulant spirit who overthrows Jupiter. Tragedy struck in 1818 and 1819, when his son Will died of fever in Rome, and his infant daughter Clara Everina died during yet another household move. A daughter, Elena Adelaide Shelley, was born 27 December 1818 in Naples, Italy and registered there as the daughter of Shelley and a woman named Marina Padurin. However, the identity of the mother is an unsolved mystery. Some scholars speculate that her true mother was actually Claire Clairmont or Elise Foggi, a nursemaid for the Shelley family. Other scholars postulate that she was a foundling Shelley adopted in hopes of distracting Mary after the deaths of William and Clara.[7] Shelley referred to Elena in letters as his "Neapolitan ward". However, Elena was placed with foster parents a few days after her birth and the Shelley family moved on to yet another Italian city, leaving her behind. Elena died 17 months later, on 10 June 1820.